There are two common mediums to present a particular story to the public. One is Through a Fiction and the other is through a Film. In Fiction, we are moved by Characters, incidents and story, not by the emotions of the person who happens to be telling the story. A film takes us on a journey that engage with our minds and emotions.The adaptation of a film is a form of relationship between literature and film.When a film maker decides to adapt a piece of fiction into a film they must impress the characters, incidents or story as well as they can for the movie to be successful. In simple term the theme, the characters and the flow of story line are the same in both Film and Fiction. So the readers and audience can get the same feeling after reading the book or after watching the movie. Adaptations were greeted positively at first, with critics thinking educational and innovative. It may be that a particular film adaptation is a high quality work of art that connects with its audience and that it captures many of the themes and ideas of the fiction.Film adaptation takes the audience on an emotional ride. A successful adaptation balances "the comfort of ritual and recognition with the delight of surprise and novelty," not only carrying the aura with it, but contributing to its continual expansion. In film adaptation differentiations happen so as to allow to stand " as meaningful works of art." Cinema is wonderful and film can be entertaining but pedagogically it needs to be approached carefully. Fidelity, accuracy and truth are all important measuring devices that should not be utterly ignored or neglected in evaluating a film adapted from fiction.Film adaptation studies invites in a vital and fertile area of aesthetics, contributing new questions, research, perspectives and ideas to the study of literary, televisual and filmic arts.

انتظار حسین، فکشن کا گورکھ دھندا، مشمولہ: اردو ادب ) نئی دہلی: انجمن ترقی اردو، جنوری، فروری، مارچ2010ء(

اختر انصاری،اردو فکشن بنیادی و تشکیلی عناصر) کراچی:انجمن ترقی اردو، س۔ن(

فیض احمد فیض، فلم اور ثقافت، مشمولہ:قومی زبان،) کراچی: انجمن ترقی اردو، جو ن 1961ء(,شمارہ نمبر 21

قدیر غوری، فلم میکنگ) لاہور: پلس پبلی کیشنز، 1998ء(

اقبال راہی، فلمی تاریخ)حیدر آباد: سنگم پبلی کیشنز، 2018ء(

نند کشوروکرم، پریم چند اور سینما، مشمولہ: افکار) کراچی: افکار فاؤنڈیشن، اکتوبر2003ء(,، شمارہ نمبر 103

پرویز انجم، منٹو اور سینما)لاہور: سنگ میل پبلی کیشنز،2014ء(

محمد عالم، راجندر سنگھ بیدی اور فلم انڈسٹری، مشمولہ: نیا دور) لکھنو: انج کمار جھاپبلی شرز، جون 2017ء(،جلد نمبر 72، شما رہ نمبر 3

David Bord well, Film Art, New York: McGraw-Hill companies, 2008

فضیل جعفری، فکشن سے فلم تک، مشمولہ: اردو ادب ) نئی دہلی: انجمن ترقی اردو، اکتوبر، نومبر، دسمبر2005ء(

Richard J.Hand, Adaptation and Modernism, Annexed: A cmpanion to literature, Film and adaptation. (Edited by: Deborah Carmell), Uk: A john wiley & Sons Ltd Publication, 2012

رضوان الحق، اردو فکشن اور سینما)دہلی: ایجوکیشنل پبلشنگ ہاؤس،2008ء(

www.mediaknowall.com/camangleshtml-cameraangles,2014

امتیاز علی تاج،فلم سازی: ذریعہ عزت نہیں مجھے، مشمولہ: باز یافت)لاہور: پنجاب یونیورسٹی اورینٹل کالج، جولائی تا دسمبر 2006ء(

John Givens, Screening the short story: The films of Vasilii Annexed: Russian and soviet film Adaptation of literature, 1900-2001 screening, (Edited By: Stephen Hutchings and anot vernitski), Abingdon: Routledge curzon, 2005

Martin Halliwell, Transcultural Asthetics and the film adaptation of Henry James, Annexed: Classics in film and fiction.

انور خواجہ،ٹیلی وی ویژن سائنس یا ایک تخلیقی فن،مشمولہ :جریدہ ٹیلی وی ویژن)پشاور:مکتبہ ارژنگ،نومبر1996ء(،شمارہ نمبر 10

ہمایوں اشرف،اردو صوتیات اور ہندوستانی فلموں کا کردار،مشمولہ:ہندوستانی فلمیں اور اردو ادبی زاویے)نئی دہلی:نیو پرنٹ سنٹر،2012ء(

ظفر اقبال،میاں،معیاری فلم سازی،لائل پور(فیصل آباد)،قرطاس،1975ء

Sally Faulkner, Literary Adaptation in Spanish Cinema, London: Temsis, 2004

Marta Frago, Adaptation,Re-adaptation,and Myth, Annexed: Telling and Re-telling Stories: Studies on Literary Adaptation to Film, (Edited By:Paula Baldwin Lind), UK: Cambridge Scholar publicashing, 2016

Thomas Leitch, Adaptation and Intertextuality, Annexed:A companion to Literature, Film and Adaptation, (Edited By: Deborah Cartmell), UK: A Jhon wily & Sons Ltd Publication, 2012

Peter Lev, The Future of Adaptation Studies, Annexed: Literature/Film Reader Issues of Adaptation, (Edited By:James M Welsh Peter Lev), Maryland: The Scarecrow. INC, 2007