Ghazal is primarily related to the mainland Persian, but after being introduced in India, it was expressed in a language that is a common heritage of the local civilizations here. The current form of this language has many historical factors and their linguistic effects, and on their basis, its linguistic structure looks slightly different from some other languages here, but if its ancient literary heritage is seen, the facts are seen. It looks very different. These facts show that the language has been minimal in other languages of the subcontinent, but in some cases it does not exist. Ghazal has been the backbone of our civilization, but in relation to civilization, our concept has come out of the Arabs and the Arabs, and it is seen on a limited scale of local cultures. In Urdu lyrics, the style and paradigm of the beautiful efforts that the poet has made to combine local words and culture proves that the minimum and creative links in Urdu and local languages are very high, but these walls are demolished. It could not be done in the past and was raised under a particular concept of civilization.

Ashfaq Ahmad, Urdu kay Khabeeda Alfaz, (Lahore: Markzi Urdu Board, 1972)

Jameel Jalbi, Qadeem Urdu Lughat, (Lahore: Urdu Science Board, 2008)

Riaz Qadeer, Qadeem Urdu aur Punjabi Kay Lisani Rawabit, (Urdu, Pakistan Urdu Academy, 2017)

Deewan Qasim Ali Khan Fareedi, Edited by: Khayal Bukhari, (Peshawar: Pashto Academy, 1971)

Kuliyat e Sher Afzal Jaffery, Edited by: Najam ul Hasan Khan, (Lahore: Alhamd Publications, 2022)

Mujalla Tehreer, Delhi, April-June 1978

Mujalla Muasir, Lahore, October 1979

Jaleel Aali, Khawab Dareecha, (Lahore: Imprint, 1985)

Faisal Ahmad, Balochistan ka Adbi Tanazur, (Quetta: Mehrdar Institue of Research and Publications, 2014)