Nineteenth-century theoretical discourse in a colonial and poetic context .When nineteenth-century ideological debates are discussed in a colonial and poetic context, the names Azad, Hali, and Shibli come to the fore. The search for references to poetry in Urdu literature and the study of its applied forms rely heavily on contemporary literary criticism. The poetic landscape of the 19th century does not reflect the oppression of the colonial system, but it is nonetheless a favor of the West and a response to the impulses of colonial thought. There is also room for preference. There is also room for experimentation on ghazal structure and identification. The mind is also interested in resources. The main theme of ghazals is love, and the sweetness of the love element of ghazals is called tagzal. Ghazal, an Urdu language, also has expressions for sex, but sex here is a human emotion, not an animal one. But above all, it has become a center of pleasure and soul aesthetics. Ghazal's sexual passion, the quest for beauty, the concept of caste perfection, the breadth, universality, and balance of his intellectual area was created.

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